Unconventional to traditional practices, uniquely unorthodox, and highly

eclectic to his form of art, Argyris is shifting our notice to a deeper level

of consciousness and emotional empathy. His eccentric and passionate

eye captures the spontaneous segments of vitality through his oblique

lenses and reforms the tiny glimpses of still-life moments to energy, social

motivation and romantic, melodramatic motion. His craft comes across,

once silent and serene, and once exuberant and plethoric. A world of

stalkers, individuals, shadows, coupled with a variety of unique

colorations that successfully enhance the beauty of loneliness, social

despair and introverted distance in the modern-day society. Notions of

peace and tranquility sprawl in front of our minds, however, far beyond

our reach of expectations. My intuition argues that Argyris attempts to

feel absent from the material, pragmatic world he lives in. Conversely,

he indulges himself to a poignant parallel of alternative street life art as

he endorses his subjects with a certain attractive humanism, pure

kindness and mother-like love and security, well versed to our senses. His

photographs penetrate our unsuspicious minds with beauty and

emotion and conjure pure life moments at their best. Strange reality,

emptiness, vanity, meaningless interests, loneliness, happiness or drama,

come severely affected artistically by a silent elegy. In sum, his work can

be addressed as timeless, yet seriously agonizing through the passing of

time itself. Realistic, yet profoundly romantic and poetic. I have,

therefore, become a serious follower of him and his sensational craft.